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As a teenager, Zorn was already writing contemporary art music in the vein of the composers mentioned above, and the influence of two of them figures strongly in Zorn's later works (in which he experimented with aspects of chance, after Cage, and 'game pieces', after Kagel). In addition, Zorn's influences include doo-wop and other pop music, including thrash metal/grindcore band Napalm Death.

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Zorn has always been interested in many kinds of music, including such 20th-century composers as Igor Stravinsky, Anton Webern, Charles Ives, Edgard VarГЁse, Karlheinz Stockhausen, Harry Partch, John Cage, and Mauricio Kagel, but he is also very fond of free jazz musicians such as Ornette Coleman, film music composer Ennio Morricone, and Carl Stallings, who wrote music for cartoons. He took up the alto saxophone (which was to become his major instrument) and began to study jazz at age twenty. So, although not a 'progrock' artist per se, Zorn's connection to the RIO/avant-prog scene is obvious and his discography is a valuable addition to the ever-increasing Prog Archives website.Д«orn in New York at September 2, 1953, John Zorn initially studied piano, flute, and guitar and learned contemporary art music through a program of self-study. On top of that, there are several prog bands that mention him as a source of inspiration, and his Tzadik label has helped keeping avant-garde music alive by releasing albums of such prolific artists as Mike Patton, Maudlin Of The Well-offshoot Kayo Dot, Toby Driver, Buckethead, Fred Frith, Ruins, and many others. Maybe just as important is the fact that Zorn's side project Naked City is generally regarded as an important avant-rock/jazz outfit, and his Painkiller project takes things to even greater extremes with a mix of grindcore and free jazz. Not only has he repeatedly joined forces with Fred Frith (Henry Cow, Art Bears), he has also collaborated on several occasions with Mike Patton (Mr. Although very few people would think of John Zorn as a progressive rock artist, his close relation to the genre can't be denied.